New York Classical Review47m
Levit’s explorative Brahms provides the highlight at Carnegie
That brings one to pianist Igor Levit’s performance at Carnegie Hall on Sunday afternoon. Levit is one of the great ...
New York Classical Review1d
A starry cast breathes fresh, convivial life into Met’s “Bohème”
Like the things Mimì cherishes—sweet, charming, and full of dreams and wonder—Saturday evening’s performance captured all ...
New York Classical Review3d
Terfel returns to Met, ignites with Radvanovsky in “Tosca”
As they did in 2021, Sondra Radvanovsky and Brian Jagde reunited as Floria Tosca and her painter-lover Mario Cavaradossi.
New York Classical Review4d
A romantic program finds its footing with Bell, Philharmonic
Those listeners heard him play Dvořák’s Violin Concerto, but missed Tchaikovsky’s Symphony No. 4 on the second half. Opening ...
New York Classical Review6d
Tenor Pati makes an ardent Met debut in “Rigoletto”
Verdi’s Rigoletto returned to the Metropolitan Opera on Monday with a fresh cast under the baton of Daniele Callegari. The ...
New York Classical Review12d
Kutasi’s Amneris provides the highlights in Met’s uneven, archaeological “Aida”
For 36 years, Sonja Frisell’s mounting of Aida at the Metropolitan Opera, with its monumental Pharaonic sets by Gianni ...
New York Classical Review10d
Edusei roams widely and brilliantly in Philharmonic debut
In an impressive Philharmonic debut, the German conductor Kevin John Edusei presented a brilliant calling card in Samy Moussa ...
New York Classical Review28d
A delicate imbalance undermines the Kanneh-Masons’ excellent playing at Carnegie Hall
Cellist Sheku Kanneh-Mason and pianist Isata Kanneh-Mason performed Sunday at Carnegie Hall. Photo: Stephanie Berger Sheku and Isata Kanneh-Mason, chamber music’s most talked-about brother-sister duo ...