For Beethoven’s “Fidelio,” Heartbeat went to prisons and recorded the voices of incarcerated people, who appeared on video singing the Prisoners Chorus. For Tchaikovsky’s “Eugene Onegin,” the two main ...

Sandra Cisneros, the award-winning author of “The House on Mango Street,” visited Pick-Staiger Concert Hall Wednesday to read ...

In a season celebrating his 80th birthday this past Dec. 14, Christie has no Wagner plans. He is as busy as ever as a leader ...

The South Dakota Symphony Orchestra is making a fresh case for Douglas Moore’s “Giants in the Earth,” a Pulitzer ...

The final cistern scene, in which a blood-daubed Elza van den Heever as Salome finally kisses the head, is a masterstroke.

Full marks to the Royal Opera for good planning: one first night knocking us all sideways with the darkest German operatic ...

In Berlin, the director Kirill Serebrennikov’s new production dispenses with the opera’s final sextet and leads directly into ...