The Sony FE 28-70mm F2 GM is a superlative standard zoom lens. It doesn’t come cheap, but you get what you pay for: a versatile zoom range, exemplary sharpness and a maximum aperture fast enough to ...

Yet in the FE 28-70mm F2 GM, Sony ’s had a stellar go at making one. Pitched as a do-it-all solution for photographers who ...

Use precise geolocation data and actively scan device characteristics for identification. This is done to store and access information on a device and to provide personalised ads and content, ad and ...

The best Canon lenses for DSLRs include some of the finest, most famous lenses ever made. Many photographers are still using them on mirrorless cameras instead of the more expensive Canon RF lenses, ...

We have rounded up the best lenses for astrophotography, exactly what you need for capturing stunning shots of May's full moon and the Eta Aquarid meteor shower. Want to take stunning shots of the ...

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 13 years, which has given me a front row seat for the DSLR to mirrorless transition, the ...

The AF 50mm F2 Air houses its 13-element/9-group optical arrangement in a polycarbonate barrel with a black finish ... I also look at distortion, vignette, flare, and bokeh quality when testing lenses ...

Optical aberration and image distortion are reduced by the incorporated extra-low dispersion (ED), high-refractive (HR), and aspherical (ASPH) lens elements. Featured on the barrel are two Fn buttons, ...

Despite not getting 5 stars across the board in our Features box-out (it lost a star due to the blurry Starlite filter), I’m awarding the Apexel 10-in-1 Phone Lens Kit 4.5 stars because of its ...

Zoom lenses help you to get closer to your target, no matter what kind of photography you specialize in. Some can even rival telescopes for magnification power, so they're the perfect companion ...

An affordable compact ultra-wide angle lens for Four Thirds system DSLRs, giving an equivalent angle of view of an 18-36mm lens on a full-frame camera. 28 Apr 2010 12:01AM by Gary Wolstenholme ...

Distortion is amazingly well controlled, showing figures of –0.231% (pincushion) at the short end and +0.919% (barrel) at the long end of the zoom. On the chromatic aberration front, the lens is ...