In “Dianaworld,” Edward White takes advantage of a quarter-century’s distance to present the cultural postmortem Diana deserves.

The first piece Kael wrote for The New Yorker, “Movies on Television,” suggests why she remains a vexing influence in cinema more than a half century later.

What follows is reported in the mode of pure observation: the body washed and wrapped in gauze “like a small mummy”; the ...

Beginning May 2, the Pacific Film Archive is screening six films the married couple made together—dramas of rare and intimate ...

Two New Hampshire shops are committed to finding new homes for fashions from the past. Rebecca Earle, owner of Cotillion Bureau in downtown Portsmouth, fills her store with vintage fashion pieces that ...

The verdict brought an end to a 14-day trial that saw 20 witnesses, including Dartmouth Health CEO Joanne Conroy, take the stand.

For the latest season of her podcast, Longworth transports listeners to the New Hollywood— a time when filmmakers like ...

"We consider her a friend." Patricia DePooter also feels a kinship ... "It's hard to explain, but it is a thrill to be able to use my gift in a way that is helpful." Hitchcock also says that she's ...

With the latest thrilling Blumhouse offering finally upon us, these are the ways to ... works of Hitchcock. The movie follows a widowed young woman named Violet, who lives with her son Toby ...