The makers of DreamWorks Animation’s wild escapade talk about bringing nature and technology together. The Wild Robot screened in the BFI London Film Festival as a special presentation on 13 October ...
It may not have the focus and flair of How to Train Your Dragon, but Chris Sanders’ quirky tale of an unlikely bond between an upbeat android and an orphaned gosling has a lot of heart.
Don Hertzfeldt turns an unrealised musical collaboration into a wordless animated dystopia that blends inter-dimensional compositions with the broken-puzzle poetry of Mulholland Dr. (2001).
WorkWise for Screen is a pilot to support screen businesses and employers to prioritise equality, dignity and respect in the workplace and sector specific guidance on the government’s incoming ...
Sean Baker, director of the Palme d’Or winning Anora, spoke to the LFF audience about wildly differing reactions to his films, and why ‘non-professional actor’ is a damaging term.
At his LFF Screen Talk, the Dune director spoke of the formative influence of Steven Spielberg, the female characters at the centre of the Dune franchise, and the scar that reminds him not to act.
Director Gary Dauberman’s long-gestating adaptation of Stephen King’s small town vampire story plays with vampire conventions to create suspense rather than surprise.
The grotesque pantomime killings of Art the Clown reach new extremes with this gory Christmas addition to the Terrifier franchise.
Lovestruck Agnes is relentlessly reincarnated as Georgian aristocrat, Victorian teacher and fan of an 80s pop star as she pursues her ‘true love’ through time in Alice Lowe’s macabre comedy subversion ...
Rising star Madison electrifies as sex worker Ani in Sean Baker’s Palme d’Or-winning screwball romance. She explains what went into the role, which she crafted alongside Baker.
An amnesiac pieces together fragments of his life and lost love in Weightless. Italian director Sara Fgaier tells us about her ambitious use of archive footage to evoke a passing era.