The DGA has network staff and freelance agreements with ABC, CBS and NBC, and also has many individual agreements with local television stations. If you have any questions regarding any of the below, ...

Stage Manager Leon Robinson discusses his catalogue of work, strategies that have garnered success in his position and his opinions on an ever-changing industry. Leon Robinson was born in Los Angeles, ...

Robert Markowitz discusses his career as a director of movies for television and feature films. He also describes the role the DGA played in his career and the importance of the Guild’s support of the ...

The National Commercial Agreement (NCA) covers projects made under an agreement with the Association of Independent Commercial Producers, Inc. (AICP). This contract applies to Directors, Assistant ...

The DGA has flexible agreements designed for Reality Television productions. Listed below are a few of the facts about the Reality TV Agreements. The experience that DGA members bring to a production ...

Scheduled Maintenance starting Thursday evening April 24 ...

Associate Director Carol M. Larson talks about the function of central videotape and its importance to the broadcast.

Vallée discusses why it is important to him to be able to capture unique camera angles, even when they partially obscure the actor, as these "imperfections" can draw audiences deeper into the story.

Vallée describes shooting a scene on Wild that is emblematic of his style, which includes utilizing natural light as much as possible.

Vallée reveals the deep personal connection he felt when he first encountered the source material for Wild.

Director Bethany Rooney describes her process of outlining a script during prep to ensure that she understands every dramatic beat before a shoot.