DGA Members, click here for information about the 2025 DGA Annual Membership Meetings to be held in Los Angeles on Wednesday, ...

Kantu Lentz is a Director with credits such as Fire Country and Chicago Fire. She has been a DGA member since 2021.

Jay D. Roth is widely known as the former longtime National Executive Director of the Directors Guild of America (DGA), which protects and extends the economic and creative rights of its more than ...

The Experimental Agreements cover projects made to provide DGA members with experience or to serve as a "resume piece" for a Director and are not intended for commercial release in any medium. For ...

The DGA has network staff and freelance agreements with ABC, CBS and NBC, and also has many individual agreements with local television stations. If you have any questions regarding any of the below, ...

Robert Markowitz discusses his career as a director of movies for television and feature films. He also describes the role the DGA played in his career and the importance of the Guild’s support of the ...

The National Commercial Agreement (NCA) covers projects made under an agreement with the Association of Independent Commercial Producers, Inc. (AICP). This contract applies to Directors, Assistant ...

Vallée discusses why it is important to him to be able to capture unique camera angles, even when they partially obscure the actor, as these "imperfections" can draw audiences deeper into the story.

Vallée describes shooting a scene on Wild that is emblematic of his style, which includes utilizing natural light as much as possible.

Vallée reveals the deep personal connection he felt when he first encountered the source material for Wild.

Associate Director Carol M. Larson talks about the function of central videotape and its importance to the broadcast.