In spite of hints of mysterious rituals and demons, there is very little to do with actual magic in S.T. Gibson’s novel “Evocation.” ...
Johanna Moder’s previous films didn’t share that sensibility, but she shows her Austrian colors in Mother’s Baby, the most viscerally ghastly evocation of new parenthood we’ve seen since ...
Johanna Moder's previous films didn't share that sensibility, but she shows her Austrian colors in Mother's Baby, the most viscerally ghastly evocation of new parenthood we've seen since Eraserhead.